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"Brad and Chris, it has been great working with you guys on The Man In The Cellar. Cutshawkane has provided a compelling, chilling and pro sounding score that elevates the material it is attached to. Thanks guys, looking forward to collaborating on future projects! ------Dean Garris (Filmmaker--Deano Pictures)

 "The team comprising CutshawKane is highly effective at finding the emotional center of a project and enhancing it with wonderfully diverse queues. Working with them has been a joy and I look forward to future projects." ----- Robert Filion (Filmmaker - Image Impact Group)

"I originally approached CutshawKane with a script for an action film. Due to scheduling conflicts, we had to switch gears and move over to filming a dark comedy. Talk about throwing a wrench in the works for a composer! If that wasn't enough, we were on a seriously tight deadline...6 weeks to film and edit and they had only about 2 weeks to cut a score. Not to mention that I asked for music in the style of Elmer Bernstein ("Ghostbusters", "Magnificent Seven"). Not only did they get the job done, they got it done early AND delivered a fantastic score. A wonderful pair of talented musicians that came through regardless of deadline constraints. You'll hear their music in my films again." ----- William Lilly (Filmmaker - Mori-Dog Movies)

“I have worked with Brad and Chris a few times now, all with great results, their work is always beyond my expectations.They have also worked with me a few times on a tight time line and have always come through. If you're looking for down to earth musicians who really know their stuff, these are your guys." ----- Henry Weintraub (Filmmaker - 531 Productions)

"As an independent producer operating on a low budget, everybody involved has to "own" the project in order for it to work.  It is not enough to carry a camera or connect a microphone. We see it as part of our reason for being. Producers and directors know this.  In looking for musicians, we needed somebody who would make our work theirs as well and would treat it with the kind of desperate respect that we do. CutshawKane didn't treat our project as a job and we hope we didn't treat them as hired help. We saw them as part of a much larger creative force. We didn't want to tell CutshawKane how to score our film.  We wanted the film to speak to them and for them to listen.  We feel that they have done this. As a bonus, they did it far more quickly than we really could have expected. We would recommend CutshawKane for anyone and we will be coming to them first whenever we create a feature, a work for hire, or any other project that requires musical magic." ----- Paul Joseph (Filmmaker)

“Brad and Chris are great at what they do and there's really nothing more to say. If you are great at what you love, it's a very good thing" ----- Richard Clark Jr. (New Daydream Films)


An excerpt from a review for
"----"MELVIN" from UK horror magazine "GoreZone"-- "this film was made by horror fans for horror fans... The finished product is pretty impressive with great scenes of gore, great scenes of comedy and a truly kick ass soundtrack to match it. It you like fun zombie flicks, you'll love Melvin."

An excerpt from a review for "DEPRAVED" written by Zack McArthur for "The Coroners Report"------- "The score, which ranged from depressing to intense fit the mood of the movie perfectly and aided in telling the story."

An excerpt from a review for "MELVIN" written by JESSICA DWYER for "HORROR HOUND MAGAZINE"------ "The films music also adds to the atmosphere which is quirky, darkly humorous, and actually in the end, sort of sweetly romantic (in a very twisted way)." 

"An excerpt from a review for "MELVIN" written by MARC PATTERSON for "BRUTAL AS HELL MAGAZINE"----- " It wouldn’t be a long shot to call Melvin a tribute film on multiple levels. It even features a great synth-filled soundtrack that alludes to said 80’s cheeseball horror."